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Master grade pale moon ebony fretboard
Master grade pale moon ebony fretboard










The unique heathered eyes further enhance the modern atmosphere of this guitar. Pale Moon Ebony is used for the fingerboard material. The neck is a through neck with a 5-piece structure of maple and wenge, which enhances not only the sound aspect but also the neck strength. It is handmade by the representative Matteo Dondi, and the arrived individual has bar maple on the body top and mahogany on the back material. Overload Custom Guitar with a studio in Rome, Italy.

master grade pale moon ebony fretboard master grade pale moon ebony fretboard

REA6 has arrived from the modern guitar brand Overload Custom Guitar from Italy.

master grade pale moon ebony fretboard

That might sound kinda fussy, but it's so much nicer and easier to work with nice flat stock, especially with a fret board. Whether its cut it now or later, I'd probably use 3 stickers (1 towards each end and 1 in the middle) between the individual boards and sandwich the package between two flat and straight boards with some weight on the top and let it sit for awhile and give the moisture level a chance to balance out to your area. I always like to have some extra width so I can shift the fret board around a little bit to get the nicest grain orientation and avoid any ugly along the edges. It really depends on the billet and what type of saw you'll be using to re-saw it how wide the kerf is and how straight the cuts are. I think, depending on how the billet looks, I might cut one slice 2-1/3" wide from the best looking side, and then cut the remaining ~3" wide billet into four or possibly five more fretboards.Ĭutting it that way, depending on the grain orientation, might give you 4 flatsawn boards and 1 quarter-sawn board or vice-versa.

master grade pale moon ebony fretboard

As already mentioned, 2-1/3" is cutting it mighty close, you might have as much as an 1/8" to work with on a Tele fret board.












Master grade pale moon ebony fretboard